A group of prisoners are going to Vietnam to rescue the daughter of a V-I.P. The Ones who survive get their freedom back…but hell awaits them.

An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he’s taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.

An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he’s taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.

Hard-as-nails cop Jake Stone moves in with the Robbersons so he can watch a hitman who has moved in next door. The Hitman is one thing, but can you survive the Robberson family.

A rag tag band of idiots on the verge of signing a recording contract is sandbagged by their lead singer, Chas Knopfler, into throwing the mother of all parties the night before they embark on a world tour. Eddie Mesmer, the rhythm guitarist, awakens to find his drummer, Toss Dunbar, hanging from a tree like a scarecrow, and the house completely destroyed. Eddie and Toss quickly realize that A: they can’t remember anything and B: there’s a dead guy in the pool. Now, they have to figure out what happened the night before or their Rock and Roll dream is over.

Based on the book by John Heilemann and Mark Halperin, Game Change focuses on the Republican run of the 2008 Presidential election, when candidate John McCain picks a relative unknown, Alaskan governor Sarah Palin, to be his running mate. As the campaign kicks into high gear, her lack of experience, in both political and media savvy, becomes a drain upon McCain and his strategists. Directed by Jay Roach, who previously directed the HBO film Recount and the Austin Powers movies, Game Change premiered on HBO on March 10th, 2012.

With their mother dead, Emily and Ben torment their nannies to quit as fast as their father hires them. Till a nanny named Kate shows up and slowly wins Ben over. That’s bad enough, but when her father and Kate start to fall in love, Emily sets out to break them up and match him with her ballet teacher.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.