Eric Nelsen
Two life long friends, Hannah, a former reality starlet, and her conscious cuddling best friend, Brooklyn, road trip to San Diego to meet a high school crush and attend Comic Con. When things don’t go as planned, their trip turns into a night of chaos, debauchery, and ultimately tests the deepest bonds of their friendship.
A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.
Bound to an ancient pact, a family of unlimited power descend upon a small rural town to sacrifice 4 human lives, one being a member of their own family.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
After leading a jury to wrongly sentence a man, Abigail enters her new teaching job at the law school with a newfound commitment to ethics. When she takes over her new class, it includes Vincent, an intensely ambitious student who will do anything for an A. When Abigail fails him for academic dishonesty, Vincent threatens that he will stop at nothing to get what he wants. As Vincent’s devious plot begins to unravel, she must take her life into her own hands, or Vincent will take it himself.
Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.