Jompa Tormann is back, and everything is better, except the humor, which is even worse than in the first movie of vengeance.

The lines of real life and fantasy begin to blur, as the director starts to suspect that he may only be a character in the story manipulated by the writer in order to get him to direct the play the way she wants, but also to stimulate her creativity.

A charming, suicidal druggie must obey his rehab-clinic’s demand to lead a seniors men’s group or face incarceration and lose the love of his psychiatrist’s daughter.