Geoffrey Bayldon
Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what’s more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ‘celebrity’ football team and the inmates of Slade. Everything is going to plan until Godber is injured on the goal post. In the ensuing confusion, Fletcher finds himself on the wrong side of the prison walls and must now try and break back into prison.
A writer of horror stories is invited to a “monster club” by a mysterious old gentleman. There, three gruesome stories are told to him; between each story some musicians play their songs. In the end, it’s recognized he’s the greatest monster of all …
Five people find themselves in a tomb. The Crypt keeper explains why they are there through a series of frightening stories. Based on the classic comic book.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wrecks his revenge on the perpetrator of his misery: Baron Frankenstein.