Rhea lives with her tight-knit multigenerational family. After her mother’s death, she has been her father’s emotional rock, and her life revolves around her family’s restaurant, her eclectic group of friends, and her after-school coding club. Everything changes when she falls for aspiring DJ Max and a long lost passion for music is reignited. Rhea discovers that she has a natural gift for creating beats and producing music that blends her Indian heritage, but must find the courage to follow her true inner talent.
As the world is in the middle of an industrial revolution, a monster appears that cannot be defeated unless its heart, which is protected by a layer of iron, is pierced. By infecting humans with its bite, the monster can create aggressive and undead creatures known as Kabane. On the island Hinomoto, located in the far east, people have built stations to shelter themselves from these creatures. People access the station, as well as transport wares between them, with the help of a locomotive running on steam, called Hayajiro. Ikoma, a boy who lives in the Aragane station and helps to build Hayajiro, creates his own weapon called Tsuranukizutsu in order to defeat the creatures. One day, as he waits for an opportunity to use his weapon, he meets a girl named Mumei, who is excused from the mandatory Kabane inspection. During the night, Ikuma meets Mumei again as he sees Hayajiro going out of control. The staff on the locomotive has turned into the creatures. The station, now under attack by Kabane, is the opportunity Ikoma has been looking for.
Kurapika became a Hunter to take vengeance on the Class-A crime group Phantom Troupe who massacred his clan for their unique eyes. The eyes of the Kurta clan turn scarlet in times of anger or emotional agitation and are considered the most beautiful treasures in the world. Kurapika continues to pursue the Phantom Troupe but an unknown party has stolen his “scarlet eyes”. With the help of Gon, Killua and Leorio, Kurapika’ s life was saved. However, the Phantom Troupe shows up before them and blocks their way. The true identity of the one with the No.4 spider tattoo is about to be unveiled.
Captain Planet and the Planeteers is an American animated environmentalist television program created by Ted Turner, Robert Larkin III, and Barbara Pyle, produced by Pyle, Nicholas Boxer, Andy Heyward and Robby London, and developed by Pyle, Boxer, Heyward, London, Thom Beers, Bob Forward, Phil Harnage and Cassandra Schafhausen. The series was produced by Turner Program Services and DIC Entertainment and it was broadcast on TBS from September 15, 1990 to December 5, 1992. A sequel series, The New Adventures of Captain Planet, was produced by Hanna-Barbera and Turner Program Services, and was broadcast from September 11, 1993 to May 11, 1996. Both series continue today in syndication. The program is a form of edutainment and advocates environmentalism.
In February 2009, Mother Nature Network began airing episodes and unreleased footage of Captain Planet and the Planeteers on its website. In September 2010, the Planeteer Movement was launched with the assistance of Pyle as a means for fans of the show to connect and continue to integrate the show’s messages into their lives as real-life Planeteers.