Jean-Paul Belmondo
A young car thief kills a policeman and tries to persuade a girl to hide in Italy with him.
Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.
French secret agent Joss Baumont is sent to kill the president Njala of an African country. However, a counter-order is given before he can execute his mission and he is abandoned in the hands of foreign authorities. He escapes and seeks revenge by pursuing what was his original mission.
Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan – that every agent will be named ‘James Bond’. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.
The title is Adolf Hitler’s question to his chief of staff Alfred Jodl on the eve of the liberation of Paris (August 25): the military governor of Paris, General Dietrich von Choltitz, had been ordered to destroy Paris rather than let it fall undamaged into the hands of the Allies, but von Choltitz disobeyed.The film follows historical events as U.S. General Dwight D. Eisenhower, head of the Allied invasion, refuses to divert troops to liberate Paris. His hand is forced by the French military leader, Philippe Leclerc, and by a Resistance uprising in the city. Von Choltitz keeps details of the uprising from the German high command in an effort to save the city being destroyed in retaliation. The film follows his turmoil as a soldier and as the man who doesn’t wish to be seen by history as the cause of a beautiful city’s destruction.