Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a personality-splitting drug that he has tested on himself, changing him into an uninhibited brute who seeks violent and undignified pleasures. Jekyll quickly becomes addicted to the sordid freedom induced by the drug. He can commit the most enjoyably revolting deeds, then return to his laboratory and use an antidote to change back to his original form, so that his lofty persona remains untarnished.

An inept British WWII commander leads his troops to a series of misadventures in North Africa and Europe.

Billy is an innocent, naive seaman in the British Navy in 1797. When the ship’s sadistic master-at-arms is murdered, Billy is accused and tried.

Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge — of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them.

An Eskimo who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.

The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guildford to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guildford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall.