73 years after WWII veteran Patrick Thomas’ ship vanishes, he meets archaeologist John Henry Phillips. Fuelled by their unexpected bond, John makes a shocking promise to find the ship and build a memorial with Patrick by his side.

When twenty-four-year-old Jae is released from prison for killing her mother, she returns to her childhood home in small-town Ridgecrest. The desire to go anywhere but there prompts her to agree to join her brother on a road trip out to Death Valley – which results in getting them hopelessly lost in the most stunning, but unforgiving topographical terrain on the planet.

The lives of a filmmaker, pianist, painter, and architect collide and intertwine in a multilayered tale of love, art, violence, and power dynamics that ultimately questions, what is real?

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

A pregnant doctor’s life is made hell by the deranged patient to whom she gave a hysterectomy, without the patient’s consent.

Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love through the modern “mail-order bride” industry.

An ex-marine who struggles to provide for his family and a violent drug dealer with an undefeated fighting record are determined to compete in the Donnybrook, a legendary, bare-knuckle brawl with a cash prize of $100,000.

Kevin Kline and Glenn Close star as Harold and Sarah Cooper, a couple whose marital troubles are put on hold while they host an unhappy reunion of former college pals gathered for the funeral of one of their own, a suicide victim named Alex. As the weekend unfolds, the friends catch up with each other, play the music of their youth, reminisce, smoke marijuana, and pair off with each other.

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly’s marriage is brought to its breaking point and David’s desire for retribution leads him into uncharted moral territory with the question: what can we forgive?

THE ONE I WROTE FOR YOU follows a songwriter who defers his dreams to support his family. He gets a second chance when his 10-year-old daughter, Gracie, secretly enters his name into a song writing contest/reality show. Fourteen original songs help tell the story of Ben Cantor, who follows his dream, but loses himself along the way.

17-year old Eli moves with his family to the isolated farm of reclusive Waylon, a man whose dark past threatens to overtake him. Eli’s family works to restore the desolate fields, while he becomes fascinated with the forests. While on the farm, Eli meets the mysterious Amanda when she gives him an apple. The next day she extracts a promise from him to avoid the deep woods. Reeling from a violent encounter with his father, one night he breaks this promise and finds her body hanging from a tree.

When a successful New York public defender loses his first case, he is pulled into a drug heist by a former client in an effort to beat the broken system at its own game.