Join Apollo 11 on its historic journey. The film seamlessly blends mission audio featuring conversations among Neil Armstrong, Buzz Aldrin and Michael Collins with new footage, NASA archive and stunning CGI to recreate the first moon landing.
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The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
Broadway Idiot follows Green Day’s Billie Joe Armstrong from a punk rock concert at Madison Square Garden to the opening of his musical American Idiot on Broadway – only ten blocks away, but worlds apart. From behind the curtain share in the crazy journey of turning the mega-hit album into a punk rock musical – and ultimately see how the world of theater transformed Billie Joe.
Everyone dreams of fame. From the nail-biting freshman auditions to the spectacular year-end performances, Fame High captures the in-class and at-home drama, competition, heartbreak, and triumph during one school year at the Los Angeles County High School for the Arts, also known as Fame High.
Two years ago, Josh Fox introduced us to hydraulic fracturing with his Oscar®-nominated exposé Gasland. Now this once-touted energy source has become a widely discussed, contentious topic. In his follow-up, Fox reveals the extreme circumstances facing those affected by fracking, from earthquakes to the use of federal anti-terror psychological operations tactics. Gasland Part II is the definitive proof that issues raised by fracking cannot be ignored for long.
Deep Web gives the inside story of one of the the most important and riveting digital crime sagas of the century — the arrest of Ross William Ulbricht, the convicted 30-year-old entrepreneur accused to be ‘Dread Pirate Roberts,’ creator and operator of online black market Silk Road. The film explores how the brightest minds and thought leaders behind the Deep Web are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.
17 years after controversial Vancouver Grizzlies NBA star Bryant ‘Big Country’ Reeves leaves town, super-fan Kat Jayme goes on a mission to find her childhood hero and tell the story of this forgotten legend.
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and worse to stage their provocative and subversive plays in secret performances at home and to critical acclaim abroad. Director Madeleine Sackler goes behind the scenes with this group of gutsy performers as they brave a renewed government crackdown on dissenters in 2010.
Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth’s resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
This is the story of New Jersey rock band Rye Coalition, aka The Hard Luck Five.
HBO Hungary looks at the popularity of Pierre Woodman, a French porn director known for his amateur “casting” shoots and contract work with Private and Hustler. Woodman prowls the malls and cafés of Eastern Europe seeking attractive, persuadable 19-year-olds to film in his hotel room.