Two misfit best friends incapable of growing up, whose direction is tested by an abandoned child, worn beyond his years; together they invent the family they’ve always needed.
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Veteran Secret Service agent Frank Horrigan is a man haunted by his failure to save President Kennedy while serving protection detail in Dallas. Thirty years later, a man calling himself “Booth” threatens the life of the current President, forcing Horrigan to come back to protection detail to confront the ghosts from his past.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
U.S. Navy SEAL Chris Kyle takes his sole mission—protect his comrades—to heart and becomes one of the most lethal snipers in American history. His pinpoint accuracy not only saves countless lives but also makes him a prime target of insurgents. Despite grave danger and his struggle to be a good husband and father to his family back in the States, Kyle serves four tours of duty in Iraq. However, when he finally returns home, he finds that he cannot leave the war behind.
Based loosely on the DC comic’s story arc, Oracle calls up Power Girl, asking her to rejoin The Birds of Prey. But after having a previously bad experience, Power Girl is not exactly jumping at the chance. And while on the phone having her chat, Power Girl is stuck dealing with a childlike Bizzaro Superman. Hopefully he will finally overcome his terrible diction before he makes a complete ass of himself….. or maybe not. Either way, watch I’M POWER GIRL DAMMIT!!!
It’s the story about seven very different best friends, and one summer that will bring them together like never before.
During the Second World War, Eugene enlists in the US Army during the last year of the War and is sent to basic training in Biloxi Mississippi. There he must live with a variety of fellow soldiers while enduring the whims of a mentally unstable drill sergeant.
Professor Evan Farnsworth is a widower who works tirelessly at a prestigious boarding school in Maine, dedicating all his time to helping his students believe in themselves. Accepting a job to teach the students left behind during Christmas vacation, including talented scholarship student Juliet, nerdy outcast Albert and privileged bad boy Drew, Farnsworth quickly faces a challenge when Drew gets into trouble. Upset his wealthy parents ditched him for a Paris skiing vacation, he takes his anger out on the neighboring town’s ancient Wishing Tree, a bare tree decorated with handwritten notes containing the townspeople’s greatest holiday wishes. A much loved tradition, it doubles as a fundraiser for needy families, depending on donations from eager wish-makers. Drew’s troublemaking eventually threatens Farnsworth’s job, but with the help of the town and the special Wishing Tree, Farnsworth discovers that anything is possible.
A group of women afflicted with a horrible disease (which forces them to cannibalism) try to support one another.
In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
Bertolt Brecht, a theatre revolutionary, poet of the state, outsider, looks back on his life in 1956, the year of his death, in East Berlin: from provocations in the Augsburg of the First World War, to the early poetic and amorous height flights in Munich and Berlin in the 1920s, his escape from Hitler and US exile, followed by his later years caught in a dilemma between timeless classic and a failing GDR class fighter, an inflexible free man and a compromised Artist.
