Al Stanco has lived all of his life in Brooklyn and does some work for the local crime lord, Danny Parente. New to the neighbourhood is Gabriela, a filmmaker shooting a documentary on the real Brooklyn. Al and Gabriela become friendly but the relationship is strained when he discovers her true goal is to expose Parente’s criminal activities. When Al sees the evidence Gabriela has uncovered, which implicates Parente in the death of many locals (including Al’s own father), he seeks revenge in a dangerous confrontation with his boss.
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When Todd takes his girlfriend Cammie up to the family cottage for a reclusive proposal, the last thing he expected to be doing was dealing with was his slacker brother and his hippie girlfriend. But in this comedy of errors, Todd and Cammie, have to deal with his accidentally murdered brother in order to live happily ever after.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
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