Our modern civilization is likely to be confronted with the biggest paradigm shift in the perception of reality ever, and through our productions we wish to bring insight from the forefront of this development.

When the world’s financial bubble blew, the solution was to lower interest rates and pump trillions of dollars into the sick banking system. But what happens when the solutions are identical to the mistakes that caused the very crisis?

From an Alaskan strip club, a Hawaiian island, and the streets of NYC—revelatory stories emerge about a deeper definition of love.

Following his infamous championship as part of a marketing stunt for the film Ready to Rumble, David Arquette is widely known as the most hated man in pro-wrestling worldwide. Nearly 20 years after he “won” the initial title, through ups and downs in his career, with his family, and with his struggles with addiction, David Arquette seeks redemption by returning to the ring…for real this time.

‘In Football We Trust’ captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the “salvation” for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal expectations.

The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

Documentary on popular exploitation sub genre, sexploitation.

Laos: the most bombed country, per capita, on the planet. Australian bomb disposal specialist Laith Stevens has to train a new young “big bomb” team to deal with bombs left from the US “Secret War”, but meanwhile, the local children are out hunting for bomb scrap metal. Vividly depicting the consequences of war with the incredible bravery of those trying to clear up the mess.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

Exclusive access into the career and life of the public servant who has advised seven U.S. presidents beginning with the AIDS pandemic in the 1980s and through SARS, Ebola and COVID-19.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler’s concentration camps.

The Deported follows four long term residents of the United States, each with an Order of Deportation over their head, and their families as they have to make critical decisions that will either keep their family together and separate them. Their choices are: 1. to self-deport. 2. To take sanctuary in a church. 3. To fight back legally. 4. To fall into denial and do nothing.