As Christmas approaches, a department store worker whose life lacks fulfillment meets her guardian angel, who offers her a chance to change her circumstances by magically transporting her to Christmases past whenever she tries on a new pair of shoes.
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One evening, Princess Sakura (Kyoko Hinami) is attacked by a man. At that time, the Princess could not see his face. and only sees a tattoo on his body. Because of that that night, Princess Sakura falls in love with the man. In order to find the man she gives up everything and gets the same identical tattoo. The princess then works as a prostitute. Meanwhile Gonsuke (Munetaka Aoki) is the man who attacked Princess Sakura. He also stole a scroll and, because of that, he is chased by assassins.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn’t make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love’s age old question in a fresh new way, “If you try, try again, will you finally get it right?” (Written by M. Siler and E. Seidler)