Shinobu Takamura (Asami Mizukawa) is an aspiring painter. One day, she is accused of using counterfeit money. Shinobu is confused by the allegation, because she never did such a thing and was at home when the crime occurred. Police Officer Kanou then appears and takes her to a place. When they get there, a group of people are already gathered. All of the people there are concerned over a doppelganger like existence that looks just like them and acts like them. They call that existence “bilocation”.

When a convoy of American soldiers disappears in the Mideast, a Special OPS team is deployed on a search and rescue mission. When they arrive they encounter monstrous over-sized scorpions, spiders and snakes that were created when a former government scientist opened a vortex into another dimension. Now, the team must figure out a way to close the wormhole – but can they close it in time?

The film centers around retired police detective Derrick Stanswood (Mann), who is called by a successful doctor about an unsolved case involving his wife Maggy (Cottrel) and their son, Cole (newcomer Kevin Fennell). Chasing after loose ends in a backward rural town, Derrick has no idea that Maggy has been held captive for the past eight years by farmer Lukas Walton (K.J. Linhein, “Jebediah”), who is raising Cole as his own son in a wrongful world that holds its own horrors (http://mrpotent.com/deerCrossing/).

A newly married couple’s life is shaken by the arrival of a vengeful Pontianak, forcing them down a dark path of betrayal, witchcraft and murder.

Henelotter up’s the ante in the final part of his trilogy by introducing a new member to the family; the potentially monstrous fruit of hideously deformed Belial’s loins. With the pair still enjoying relative anonymity and comfort in their new found home (presided over by Granny Roth), things however take a downward turn on a trip to the Georgia Clinic of Uncle Hal, which leads to an encounter with an especially nasty redneck sheriff and his similarly blinkered band of merry men.

Graverobbers open the grave of the Wolfman and awake him. He doesn’t like the idea of being immortal and killing people when the moon is full, so he tries to find Dr. Frankenstein, in the hopes that the Dr. can cure him, but Frankenstein is dead and only his Monster is alive and this one wants to live, not to die like the Wolfman.

“Drudge,” What was supposed to be a romantic night in for a young couple, quickly turns into a terrifying encounter with Drudge.

An insurance salesman gets mixed up with two gangsters in effort to make more money and provide for his family, but things don’t go as he planned.

Three mysterious figures emerge from the Mojave Desert and make their way to Los Angeles, leaving a trail of bodies in their path. To thwart their plans for global genocide, a mysteriously old-fashioned Army intelligence officer will need to team up with a hardscrabble LAPD detective who, having just freshly broken up with her philandering fiancé, is about to discover that knowing who to trust can be the difference between life and death.

A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals’ hands. An Irish liaison assembles a squad of mercenaries, or ‘ronin’, and gives them the thorny task of recovering the case.

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The killer doll is back! The all-new film is the fifth in the popular series of Chucky (“Child’s Play”) horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by “The Lord of the Rings” star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series