Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland.
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A proud son hires a documentary filmmaker to immortalise his father’s legacy. Tensions flare up between filmmaker and subject-and a rookie cameraman is caught in the cross fire-as the three travel across France unearthing family secrets.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Pride & Prejudice: A Latter-Day Comedy is a 2003 independent film adaptation/updating of Jane Austen’s novel, set in modern-day Provo, Utah, at Brigham Young University. The characters are Latter-day Saints (LDS).
Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he’s the great wizard of prophecy, there to save Oz from the clutches of evil.
In the wake of his daughter’s disappearance, a father wallowing in grief feeds his desire to find her with unusual methods.
The story of Alhaja Eniola Salami, a businesswoman and philanthropist with a checkered past and a promising political future. As her political ambitions see her outgrowing the underworld connections responsible for her considerable wealth, she’s drawn into a power struggle that threatens everything she holds dear.
Summer is a carefree teenage girl whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety.
Good girls Merritt, Melanie, Tuggle and Angie – all students at mid-western Penmore University – are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.
Ava uncovers the whereabouts of her missing father to an unchartered Island; a mythical lost world uncovered before them by her grandfather. Joined by a group of adventurers and scientists, they arrive at Jurassic Island where it becomes clear that the previous team had run into disaster. Dinosaurs and toxic leeches mean it’s no longer a search for her father, but a battle for survival.
A corporate raider and his henchman use a chanteuse to lure a scientific genius away from his employer and family.
In the absence of Optimus Prime, a battle for survival has commenced between the human race and the Transformers. Cade Yeager forms an alliance with Bumblebee, an English lord, and an Oxford professor to learn why the Transformers keep coming back to Earth.
P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.