Heading on a transatlantic voyage at sea from an Italian lab to America, D’Agostino is the story of a human clone left for dead at the shores of Santorini Greece. This lost cargo, commissioned by wealthy individuals for organ tranplants, is abandoned as the freight cannot be recovered. Allan Dawson has recently inherited his grandmother’s island estate. He’s in a loveless relationship with his common law spouse Sylvia. As he finds this interesting freight, what follows is a macabre tale of self realization as Allan proceeds to set himself out of his sedentary existence to mold his latest discovery into a new best friend with dire consequences.
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Five American soldiers fighting in Europe during World War II struggle to return to Allied territory after being separated from U.S. forces during the historic Malmedy Massacre.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter’s attractive friend.
Control is the biography of Joy Division lead singer Ian Curtis, taking his story from schoolboy days of 1973 to his suicide on the eve of the band’s first American tour in 1980.
A shell-shocked Afghanistan war hero named Ivan Skryabin (Mikhail Skryabin) spends his days stoking the fire in a giant coal furnace. When he isn’t tending the flames, he keeps busy with other activities. He works on a historical novel. His adult daughter Sasha (Aida Tumutova) comes to visit. Local kids come to gaze at the flames. Gangsters, including a former Army sergeant (Aleksandr Mosin) and a sniper known as Bison (Yuri Matveyev), drop by to add special kindling to the fire.
Former teen idol Nam Hyeon-soo is now in his thirties and working as a radio DJ. One day a young woman named Jeong-nam shows up and claims to be his own daughter. She also has a son whom she claims to be Hyeon-soo’s grandson. Their relation is proven via DNA tests by Hyeon-soo’s brother. This leads to Hyeon-soo attempting to avoid a scandal concerning him having children “unknown” to the media.
Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.
Peter Fonda plays ‘Heavenly Blues’, the leader of Hell’s Angels chapter from Venice, California while Bruce Dern plays ‘Loser’, his best pal. When they both botch their attempt to retrieve Loser’s stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues’ “old lady” and Diane Ladd plays Loser’s wife (Dern’s real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser’s funeral becomes another wild party.
This anthology film explores three sudden acts of violence and examines the impact on the innocent bystanders caught in the crossfire: In Binghamton, New York, an ESL instructor faces domestic violence at home and even greater peril at school. Friends take a night out in Paris only to find themselves caught up in a horrifying situation. And two lovers at the Pulse nightclub in Orlando fight to survive a chaotic night of terror.
Too much happens too many times in this potentially brilliant parable.
A former narcotics trafficker now living peaceably in the Calabrian hills is drawn back into his family’s drug-trade dynasty by his impetuous teenage son, in this darkly elegant gangster drama.