Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician’s wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he’s being framed. Meanwhile Michelle begins to fall in love with him.

A. J. Niles is the author of a series of ‘Bachelor Books’. These books describe the romantic life of a bachelor in various cities of the world. But when he runs into trouble with the I.R.S. for back taxes, he needs to write another book fast, to pay them. His publisher decides a book about life in the American suburbs would be a hit, and settles him into Paradise Cove. One bachelor plus lonely housewives equals many angry husbands.

Miklós is at the age when everything feels high-stakes. He is coming to terms with his own sexuality, and when his best friend Dan reveals that he has a new girlfriend, this puts an end to their plans to run away together.

When she was a middle school student, Futaba Yoshioka liked Kou Tanaka who was unlike the other boys and quite gentle. Kou Tanaka then moved away and they lost contact. At the end of Futaba Yoshioka’s first year as a high school student she meets Kou Tanaka again. Kou Tanaka’s name has changed to Kou Mabuchi and his personality seems different from his middle school days.

Theodora, a time consumed professional crosses paths with Charlie, a writer, when she travels to his hometown for business just before Christmas. Both are taken by surprise when unexpected circumstances present themselves.

When aspiring rappers Tymez Skwair, Fuzzy Down, and Likrish cross paths with stripper Stesha, they follow her to a mysterious strip club where the sexy ladies are really vampires in disguise. Things go from bad to worse when the vampires’ leader Kulada (Ty Badger) finds out that Tymez holds the key to the bloodsuckers’ world domination in this urban horror film that plays like “Vampire Strippers in the Hood.

A mysterious man, Suba, gets himself a job at a fencing academy, and as he learns the way of the students, the school, and its maestro, they learn that there’s more to him than meets the eye. He gains (or regains?) his fencing skills and his philosophy of teaching clashes with the maestro’s. As they are thrown into conflict, Suba and the maestro’s past appear to be linked. And the resolution of their mysterious relationship may be a duel to the death.

Beth B takes us into the 21st century underground and reveals a secret world where cutting-edge performers are taking hold of a taboo art form, Burlesque, and driving it to extremes that most people have never seen. It’s satire. It’s parody. It’s a populist blend of art and entertainment that gives new meaning to the word “transgression.” Above all, it’s a lot of fun, and it will blow your mind.

A black comedy set during the aftermath of the Cronulla riots, it is the story of two carloads of hotheads from both sides of the fight destined to collide.

A mid-western farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of southern vampires who roam the highways in stolen cars.

When Vetter’s wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it’s easier said than done when all Vetter can focus on is revenge.

In the late 1930s, a young machinist named Maurice Richard distinguished himself as a ice hockey player of preternatural talent. Although that was enough to get him into the Montreal Canadiens, his frequent injuries cost him the confidence of his team and the fans. In the face of these doubts, Richard eventually shows the kind of aggressive and skillful play that would make him one of the greatest players of all time as “The Rocket.” However for all his success, Richard and his fellow French Canadians face constant discrimination in a league dominated by the English speaking. Although a man of few words, Richard begins to speak his own mind about the injustice which creates a organizational conflict that would culminate in his infamous 1955 season suspension that sparks an ethnic riot in protest. In the face of these challenges, Richard must decide who exactly is he playing for.