Love Me follows Western men and Ukrainian women as they embark on an unpredictable and riveting journey in search of love through the modern “mail-order bride” industry.

Documentary charting the raucous history of the infamous spring vacation revelries in Daytona, which started in the early 60s, and by the 1980s led to the arrival of tens of thousands of college students, lured by lust, booze, fun in the sun and eventually, the hope to make it onto MTV.

When Kenny Scharf arrived in NYC in the early 1980’s, he quickly met and befriended Keith Haring and Jean Michel Basquiat; There, amongst the fervent creative bustle of a depressed downtown scene the trio would soon change the way we think about art, the world, and ourselves. But unlike Haring and Basquiat, who both died tragically young, Kenny lived through cataclysmic shifts in the East Village as well as the ravages of AIDS and economic depression. ‘When Worlds Collide’ is about the art of fun, about living life out loud, despite setbacks, and about Kenny Scharf’s particular do-it- yourself, high-tone, technicolor artistic vision.

A feature-length exploration of the game’s creation, GROUNDED: Making the Last of Us is a love letter to the trials of exploring new territory. There are no road maps or guide books for creating a new world. The only way through is to fail—over and over again. This is the story of how a team of artists, musicians, programmers, writers, actors, filmmakers, playtesters, and a lonely UI designer—came together and pushed each other to build something larger than themselves.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

In LONG STORY SHORT, Colin Quinn focuses his articulate brand of comedy on the demise of empires, including our own. More than standup comedy, LONG STORY SHORT is a hilarious blend of incisive observation, sharp commentary, and Colin’s channeling of the personalities of the past. From Socrates to Snooki, Quinn is at his satirical best, taking on the attitudes, appetites and bad habits that toppled the world’s most powerful nations. Long Story Short proves that throughout human history, the joke has always been on us.

In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.

Nearly 50 years ago, a mass murder was committed in the small Florida town of Arcadia. The victims were all children in the same family of African-American citrus pickers. Their father James Richardson was convicted of the crime and sentenced to death. More than 20 years and a series of unprecedented miracles followed in order to set him free. Now, in the present day, James Richardson travels back to Florida in the hopes of receiving a glimmer of justice from a State which took his life away. This is a story that has unfolded countless times in different ways in small towns across America.

Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza — PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.

This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.

With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.