Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams… until love unexpectedly brings her back to life.
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Workaholic Thomas Johnson dies in an auto accident and comes back to life as a dog. Remembering some of who he was, he returns to his wife and son to protect them from the man who caused his accident. But, as time goes by, he remembers more of his life, and realizes he wasn’t such a good husband and father.
Yet another version of the classic epic, with enough variation to make it interesting. The story is the same, but some of the characters are quite different from the usual, in particular Uma Thurman’s very special maid Marian. The photography is also great, giving the story a somewhat darker tone.
Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge — of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them.
On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to … lovers?
Argentina, 1985 is inspired by the true story of Julio Strassera, Luis Moreno Ocampo and their young legal team of unlikely heroes in their David-vs-Goliath battle in which, under constant threat, they dared to prosecute Argentina’s bloodiest military dictatorship against all odds and in a race against time to bring justice to the victims of the Military Junta.
The third film in the Jingle Ma-directed franchise, following “Tokyo Raiders” from 2000 and “Seoul Raiders” from 2005. Mr. Lin and Ms. Lin are the number one and number two in the field. They are neither friends nor enemies, but they ultimately join hands along with trusty assistant Le Qi as they track down an infamous thief who has stolen the ‘Heavenly Emperor’s Hand’. Unbeknownst to them, they become the common target in a manhunt by the European triads, the CIA and many other agencies.
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
Alabama preacher’s daughter runs off with a touring Xian hair metal band during the summer of 1986.
She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn’t anyone warn me? Why doesn’t anyone ever talk about this?” Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.
