The Sci-Fi Romantic Independent film WITHOUT WARD takes place in the future where a one-world government; Contractualism, controls everything. A notable inventor, Ward (Martin Landau), creates a drug which allows people to literally live in their wildest dreams. Over the next 20 years, 50% of the world’s population ends up on the drug, while the Union of United Esquires, lawyers with guns that act as the worlds police force by fulfilling and enforcing contracts, take care of them.

Lee and his friend plan to travel round the island of Taiwan when they both face their biggest challenges in life.

School student and her European-born grandmother share sad stories of their lives.

A dialogue marathon of a film, this fairytale love story of an American boy and French girl. During a day and a night together in Vienna their two hearts collide.

On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test.

The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class

When Callie returns home, she finds her hometown has changed – her first love has a new girl and her family’s BBQ restaurant has hit hard times. She clashes with a marooned bigshot director who might hold the key to saving the restaurant.

In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

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The story of French high-wire artist Philippe Petit’s attempt to cross the Twin Towers of the World Trade Center in 1974.

Natural changes have the clans moving. Iza, medicine woman of the “Clan of the Cave Bear” finds little Ayla from the “others”‘ clan – tradition would have the clan kill Ayla immediately, but Iza insists on keeping her. When the little one finds a most needed new cave, she’s allowed to stay – and thrive.

An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.