Having written the music and screenplay for this film, Paul McCartney also plays himself in the leading role. When the mastertape of McCartney’s latest album is misplaced, he must discover its whereabouts in less than 24 hours or else risk losing his recording company to the lowlife Mr. Rath (John Bennett). McCartney performs three new songs, along with classic Beatles’ tunes. Co-starring are former Beatles mate Ringo Starr as the drummer in Paul’s band, Ringo’s real-life wife Barbara Bach, McCartney’s then wife Linda and Tracy Ullman.
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Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.
In a remote part of rural, post-apocalyptic England, now occupied by unseen alien invaders, a feisty teenage girl sets out on a desperate attempt to fight back a group of bandits and defend her parents’ farm, their remaining livestock, and the solar panels that keep them safe from extraterrestrials. If she doesn’t succeed, she will lose her only source of food and shelter; if she resists, she and her helpless blind sibling will be killed.
A struggling musician becomes a 12-year-old musical prodigy’s guardian for a summer.
A prince from Europe meets a charming waitress when he travels to America during the Christmas holiday to escape an arranged marriage.
When fluffy, bubble gum movie star Megan Valentine suddenly finds herself broke and humiliated in the public eye, she wanders from the wreckage of a car accident and witlessly enlists in the U.S. Army hoping in vain that it will change her life.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Comic artist and writer Woody performs a simple courier operation for his friend Harry who works for the CIA. But when he successfully fends off hostile agents, he earns the respect of the beautiful Natalia, who requests his assistance for her defection. Woody uses this request as leverage to use the CIA’s resources to bring his comic book creation, Condorman, to life to battle the evil Krokov.
Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.
Jess, a concert violinist whose heart just isn’t in it anymore, goes to Vienna for a performance. While there, she finds the inspiration she has been missing, and a new love.
“Stalingrad” follows the progress of a German Platoon through the brutal fighting of the Battle of Stalingrad. After having half their number wiped out and after being placed under the command of a sadistic Captain, the Lieutenant of the platoon leads his men to desert. The men of the platoon attempt to escape from the city which is now surrounded by the Soviet Army.
