The movie Haram tells the story of a mismatched married couple and the problems in their daily life. This movie also tells the story of a couple who are not yet married, Fahad and Radhika plays as the couples.
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Pure Country: Pure Heart is the moving, music-driven tale of teenage sisters Ada and Piper. Upon discovering a letter about their late father, a Marine who died in Iraq, they leave rural Tennessee and hit the road secretly in search of the truth about the man they never knew. As they uncover his past as a budding country music star, the sisters find their own voice, beginning their journey as singers/songwriters.
A mother travels to Patagonia with her autistic son with the hope that a ranger and a pod of wild orcas can help him find an emotional connection.
Sooraj (Sooraj Pancholi) is a gangster of Mumbai who meets Radha (Athiya Shetty). Radha is the daughter of the Chief of Police. One day, Sooraj takes Radha,telling her that he got instructions from the police to take her away from city for some time. But later Radha gets to know that she is kidnapped by Sooraj. After a series of events, Sooraj leaves Radha. But by that time, they are already in love. Thereafter, comes the part where they have to face a lot of problems.
After completing a mandatory stay at a mental hospital, two best friends decide that the only way they can reintegrate back into society is by finding romantic love.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aborigine boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair’s portly Caucasian brother.
Nine years on, another Morley child has gone missing on her way home from school. Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin’s innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
