Believing their deceased son isn’t at peace, Molly and Tom ask a medium to make contact. But after they invite a vengeful demon to cross over, the couple must enlist the help of a disgraced priest to attempt a dangerous exorcism.
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A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
Looking for an escape from her recurring nightmares, 18-year-old Sarah submits to a university sleep study, but soon realizes she’s become the conduit to a frightening new discovery.
Graverobbers open the grave of the Wolfman and awake him. He doesn’t like the idea of being immortal and killing people when the moon is full, so he tries to find Dr. Frankenstein, in the hopes that the Dr. can cure him, but Frankenstein is dead and only his Monster is alive and this one wants to live, not to die like the Wolfman.
A woman finds a haunted record that sucks up all sounds.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.
When a doctor looking for her missing child awakens to find herself in an abandoned school, she must survive the supernatural terror and face her own demons if she is to find the truth about where her son is.
A nasty, nasty comedy. A reality TV crew is making a programme, ‘Ghost TV’ about the haunted buildings that are the ruins of Seacliff Lunatic Asylum. As one might expect things do not go to plan. One of the crew is not very emotionally stable and when she discovers that she has been used callously by another crew member she snaps and runs off into the night, only to return with violent intent.
During an all-night, drug-fueled party at an abandoned asylum known for the horrific treatment of its patients, a group of ordinary teens decide to experiment with the occult, mysteriously leading to a violent possession. In an effort to find help, the group rushes to escape, only to find themselves locked inside with no means of communication. Tempers flare, trusts are broken and in attempt to save one of their friends possessed by the demon, the amateurs try to perform an exorcism. Instead of solving the problem, and unbeknownst to them, they unleash an even more powerful and vengeful spirit, one with a distinct motive and which wants them all dead. The teen’s only chance of survival is to uncover the asylum’s deep mysteries and find a way out before it’s too late.
After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.
One morning, when Riley (Chantel Little) should be at classes, her mother Angie (Maissa Houri) hears a cellphone ringing from her bedroom, soon to discover Riley left her phone behind. She answers what is Riley’s best friend Mackenzie’s (Willow Mcgregor) third attempt to reach someone. After Angie asks if Riley is with her, she realizes Mackenzie was about to ask the same thing. Shortly after, Angie checks the main closet and finds Riley’s shoes are still there. Did she leave in the middle of the night or vanish into thin air? Riley’s circles paint a picture of the events surrounding her disappearance while exploring leads in what becomes a harrowing mystery of twists, turns, and answers that poses the question: Was it better to not know what really happened after finding out the truth?
Serial killer is genetically mutated in car wreck on the way to his execution. After which, he becomes a murdering snowman hell-bent on revenge for the sheriff who caught him.