Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.

Murat is a sound recordist who lives in Istanbul. He makes an unexpected connection in his records between a grandmother and a grandchild, which becomes a trip to the family’s past to strengthen their ties.

Arnab tries to help Ruksahana, who is found under mysterious circumstances in a house. He lets her stay at his home until he discovers something strange about her.

Avery, a teenager with a tendency towards perfectionism, enlists her friend Larson to help her prepare for her first time with her long-distance boyfriend.

A warlock flees from the 17th to the 20th century, with a witch-hunter in hot pursuit. A Warlock (Julian Sands) is taken captive in Boston, Massachusetts in 1691 by a witch-hunter Giles Redferne (Richard Grant). He is sentenced to death for his activities, including the bewitching of Redferne’s bride-to-be, but before the execution a demon appears and propels the Warlock forward in time to 20th century Los Angeles, California. Redferne follows through the portal.
The Warlock attempts to assemble The Grand Grimoire, a Satanic book that will reveal the “true” name of God. Redferne and the Warlock then embark on a cat-and-mouse chase with the Grand Grimoire, and Kassandra (Lori Singer), a waitress who encounters Giles while he’s attempting to find Warlock.

Swedish intelligence officer Carl Hamilton’s 7-year-old goddaughter Nathalie is kidnapped. When the kidnapping’s underlying motive becomes known, the Swedish authorities assume a passive role, forcing Hamilton to action. With the help of international contacts, Hamilton manages to get them on track. Hamilton, along with some military colleagues, plans a daring rescue mission.

Christmas is fast approaching and years of long workdays employed at New York’s top corporate law firm are about to pay off now that Lucy Toomey will be made partner after the New Year. However, when Alice, her older sister with special needs, unexpectedly passes away, Lucy returns back to Nilson’s Bay, Wis., to attend the funeral and handle her estate. While Lucy dreads returning to her childhood home, she also feels real sorrow that she was too busy to take her sister’s last call. Once back in Nilson’s Bay, Lucy meets Peter, her old high school sweetheart and Alice’s former attorney, who informs her of the terms of Alice’s eccentric will that states in order for Lucy to inherit the family home, she must live there for 30 days through the holidays.

Reeling from the unexpected death of her husband, Beth is left alone in the lakeside home he built for her. Soon she begins to uncover her recently deceased husband’s disturbing secrets.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

A powerful true story about the journey of a troubled teenage girl who finds healing in the most unlikely of places, and who must choose to either invest in her own recovery or succumb to the trauma of her past.

When Sarah accidentally proposes to her girlfriend in Provincetown, she finds herself at odds with her partner’s expectations of their future. The mixup sends both women on different journeys of marital exploration.