An idyllic small town is rocked when Aubrey Fleming (Lindsay Lohan), a bright and promising young woman, is abducted and tortured by a sadistic serial killer. When she manages to escape, the traumatized girl who regains consciousness in the hospital insists that she is not who they think she is and that the real Aubrey Fleming is still in mortal danger.
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A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.
Science fiction drama about a future society in the era of indefinite eugenics where humans are set on a life course depending on their DNA. The young Vincent Freeman is born with a condition that would prevent him from space travel, yet he is determined to infiltrate the GATTACA space program.
Ty’s pal J.J. frames him in a murder and cocaine theft in Hong Kong in 1992. Ty’s wife Rachel may be in on the con, so, when Ty gets early release from prison as a gesture of good will from the city’s new Mainland government, he doesn’t bother to look her up. But she finds him in Southern California to warn him that J.J. wants him dead. Whack J.J. first, she tells Ty, so he heads for Manila where J.J. runs a lucrative business under the cover of exporting tropical fish. But what is that business and who’s pulling the strings? With the help of Inez, a young Filipina prostitute, Ty gets to the heart of the matter even after Inez no longer has the stomach to pursue the guilty ones.
A young writer experiences visions during episodes of sleep paralysis, and she retreats with her boyfriend to an isolated house in the desert. As the visions worsen, she teeters on the edge of insanity as she uncovers a life-threatening secret.
A woman becomes very curious about one of her psychiatrist husband’s inmates, a man who was found guilty in the murder and disfigurement of his former wife.
An investigative reporter Nellie Bly, who’s on a mission to expose the deplorable conditions and mistreatment of patients at the notorious Women’s Lunatic Asylum, and feigns mental illness in order to be institutionalized to report from the inside. The movie is an account of actual events surrounding Nellie’s stay beginning after she has undergone treatment, leaving her with no recollection of how she came to the asylum or her real identity.
David Locke (Jack Nicholson) is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man’s identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman (Maria Schneider), Locke attempts to avoid both the police and criminals out to get him.
A NYPD detective attempts to avenge the death of her father, but unwittingly becomes involved with one of his killers.
After months without pay, the already disgruntled crew on a Turkish cargo ship arrives in an Egyptian port and learns that the Port Authority is foreclosing on them. Ordered to anchor offshore, the remaining skeleton crew has their passports seized and must maintain the vessel until its owner’s debts are paid. Tensions quickly arise between the authoritarian Cypriot captain, his devoutly religious second-in-command, an affable cook, and a trio of newcomers to the ship—a pair of druggie ne’er-do-wells and the near-mute, hulking Kurd. As months pass, food and entertainment dwindle, alliances shift, and the men take out their raw frustration on one another.
