Three women wrestle with life’s difficulties while confronting their past relationships with the same man.
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Elvis plays Johnny, a riverboat entertainer with a big gambling problem. Donna Douglas plays Johnny’s girl, Frankie. A fortune teller tells Johnny how he can change his luck. Enter a new lady luck played by Nancy Kovack and the cat fight begins.
A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.
Barbara Hershey stars as Carla Moran, a hard-working single mother until the night she is raped in her bedroom by someone – or something – that she cannot see. Despite skeptical psychiatrists, she is repeatedly attacked in her car, in the bath, and in front of her children. Could this be a case of hysteria, a manifestation of childhood sexual trauma, or something even more horrific?
Actor/comedian Jim Breuer, best known from Saturday Night Live and the film Half Baked, set out in 2008 on his first stand-up tour in six years, taking his 84 year-old father along for the ride of his life. While struggling with the chores of caregiving and coming to terms with his father’s mortality, Jim is determined to strengthen their relationship while on the road. Funny and raw, More Than Me is an intimate story of growing up and growing old.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn’t seen in years. The disheveled and absent friend comes to him with one request: “I need you to come with me but, I can’t tell you where we’re going.” Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew’s nightmare asks how far you would go to help a friend.
Once upon a time in North India, two killers – Dev (Ranveer Singh) and Tutu (Ali Zafar) – roamed free. Abandoned when young and vulnerable, Bhaiyaji (Govinda) gave them shelter and… nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha (Parineeti Chopra) into the mix. What follows is a game of defiance, deception and love.
The Boy with a Camera for a Face is satirical fairy tale about a boy born with a camera instead of a head, whose every moment is transformed by the fact he is recording it. Accompanied by a voice over narration read by Steven Berkoff, the film tells an epic story in fifteen minutes about the way we live today.
A combination “before the rage” and “after the rage” of world middleweight boxing champion Jake LaMotta’s tumultuous life and times.