Lucy, a small-town girl from Ohio, discovers the delightfully bizarre films of legendary filmmaker Federico Fellini and sets off on a journey across Italy to find him.
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When a massive biotech company sues a farmer because of their genetically modified seeds have blown into his field, a fight is on between big business and the little guy.
The story of Nathan, a young teenager who tries to flourish in a romantic relationship with neighbour Roy. The two young men will have to face the brutal reality of the rural south of the United States in the late 1970s.
Porco Rosso, known in Japan as Crimson Pig (Kurenai no Buta) is the sixth animated film by Hayao Miyazaki and released in 1992. You’re introduced to an Italian World War I fighter ace, now living as a freelance bounty hunter chasing “air pirates” in the Adriatic Sea. He has been given a curse that changed his head to that of a pig. Once called Marco Pagot, he is now known to the world as “Porco Rosso”, Italian for “Red Pig.”
In 1940, Masaaki Takaoka works as a teacher in the agricultural division at a youth training institute. Although Japan’s defeat seems immanent, all of Masaaki’s students are drafted in a futile last-ditch effort. In an attempt to give the young men some hope, he makes everyone promise that they will all meet again under the cherry blossoms upon their safe return. Consumed by sadness over the fate of his students, Masaaki devotes the next 30 years of his life to develop a new species of cherry blossoms that could thrive in any climate in remembrance of his students.
The teenage son of two fathers makes a documentary film about his parents but is surprised when a real-life plot twist occurs in his family.
It is the year 2025: Since the outbreak of the Corona virus in 2020, the world has not been the same: A communist system with a single world government has been established, English has been chosen as the world language, contacts have been reduced to a minimum. Christianity has been banned completely; the constitution how we knew it no longer exists. In Germany, a small group of young Christians start an underground revolution to reunite Christians and regain freedom.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
It’s 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly’s face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan’s son finds his father and wants answers. Derek – Kelly’s pimp – needs to find Kelly or it will be him who pays.
Steven Seagal stars in this gritty, no-holds barred action film as an elite ex-cop with a gambling problem and a mountain of debt. When a mysterious man offers to clear his debts in exchange for the assassination of the city’s most notorious gangsters, he make s decision that will change his life – forever.
Previously known as “Repeat, I Love You”, “Shadows of Love” is a modern-day Cinderella romance starring Cecilia Cheung (“Legendary Amazons”) and Kwon Sang-woo (“Stairway to Heaven”) as a rivals who eventually fall for each other. The film revolves around three interrelated love stories with the one played by Kwon and Cheung as the core. Cheung plays two contrasting roles in the film, one as a refined lady, and the other as a determined young woman with quick temper.