Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.

An astonishing record of the hereditary nature of trauma, Jacinta follows the lives of three generations of women struggling to find stability amid years of dependency. Jacinta leaves the Maine Correctional Center, leaving her mother behind to complete her own sentence, and attempts to rebuild her relationship with Caylynn, her preternaturally wise pre-teen daughter who craves time and attention from the mother she adores. But as the pressures of shaping a life in a world she has hardly known sober proves increasingly challenging, she brings the viewer into her emotional, day-to-day battle to find peace with herself and earn the trust of her family.

“Take my love” is a documentary film about “Las Patronas”, a group of women who daily cook, pack and throw food to the migrants riding the “Beast” train.

Spin doctors spread misinformation and confusion among American citizens to delay progress on such important issues as global climate change.

As a visually radical memoir, Cameraperson draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

A thought-provoking look at the subject of abortion today, told through the stories of women struggling with unplanned pregnancies, abortion providers and clinic staff and activists on both sides of this contentious debate.

Unprecedented access to Muhammad Ali’s personal archive of “audio journals” as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend’s life story.

An eye-opening documentary that asks the question: Are we going to let climate change destroy civilization, or will we act on technologies that can reverse it? Featuring never-before-seen solutions on the many ways we can reduce carbon in the atmosphere thus paving the way for temperatures to go down, saving civilization.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan’s 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more.

Men with Beards is a feature documentary that weaves a strange tale of beauty and brotherhood. Journey into the souls of countrymen to experience the triumph and heartbreak of a world-class beard.

A documentary profiling two judges from California’s Native American tribes.