This rockumentary-style presidential portrait shows how Jimmy Carter reinvigorated a post-Watergate America—with the music of the counterculture, including the Allman Brothers, Bob Dylan, Willie Nelson, and Jimmy Buffett.
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Set against the back drop of Rome in crisis, General Marcus Vinicius returns to the city from the battle fields and falls in love with a Christian woman, Lygia. Caught in the grip of insanity, Nero’s atrocities become more extreme and he burns Rome, laying the blame on the Christians. Vinicius races to save Lygia from the wrath of Nero as the empire of Rome collapses around them.
The remarkable life story of the pre-war Polish artist Stanislav Szukalski, documented by the American friends he made late in life.
Brandy Burre had a recurring role on HBO’s The Wire when she gave up her career to start a family. When she decides to reclaim her life as an actor, the domestic world she’s carefully created crumbles around her.
“This Is Spinal Tap” shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.
Scientists seek to find if Big Bull, a bull shark who stretched more than 10-feet long and weighed over 1,000 pounds, is actually the matriarch of a unique population of giants.
Roman Polanski spends the weekend with World Champion F1 Driver Jackie Stewart as he tries to win the 1971 Monaco Grand Prix. This give us a rare ‘backstage’ view into the life of a F1 driver at the peak of his abilities.
This documentary covers the span of George Michael’s entire career, concentrating on the formative period in the late Grammy® Award winner’s life and career, leading up to and following the making of his acclaimed, best-selling album “Listen Without Prejudice Vol. 1” and his subsequent, infamous High Court battle with his record label that followed, while also becoming poignantly personal about the death of his late partner and first love, Anselmo Feleppa.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
Young and talented Han van Meegeren is a rebel in the early 1920’s Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection…
A small group of Wikileaks journalists make their way through Central Asia interviewing newspaper editors. Their real goal: to find local media outlets to publish secret US diplomatic cables. This intelligent, guerrilla-style doc follows their fascinating journey from Afghanistan to Manhattan, through the boundaries of free speech and the minds of those who shape our understanding of the world.
In “A Mighty Wind”, director Christopher Guest reunites the team from “Best In Show” and “Waiting for Guffman” to tell tell the story of 60’s-era folk musicians, who inspired by the death of their former manager, get back on the stage for one concert in New York City’s Town Hall.
Five single people try to figure out dating in the age of social media, texting, hanging out and hooking up.