When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.

Consignment is the authentic and brutal story of an East Coast drug dealer forced to flee to California only to realize state lines don’t erase past sins.

A group of people meet for the first time in a long time and play a game that reveals each other’s secrets.

Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.

A couple (Tilky Jones, Nikki Leigh) agree to an open relationship with their friends (Kelly Dowdle, Jason Tobias) but are ill-prepared for the jealousy, heartbreak and betrayal that soon follow.

A love story between a terrorist and his victim.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

A young singer on the brink of a promising career finds herself torn between a domineering family, industry pressures and her love for her girlfriend.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

A government program is trying to entice women to go to a remote island and become companions to war-scarred soldiers.

Alejandro, a freshman, and Sofia, who’s doing her thesis, meet in college. They build an asymmetrical relationship: he’s in love while she just wants to see her sexual desires fulfilled.