In the autumn of 1900, outlaw Claude Barbee puts his ‘retirement plan’ in action, attempting to lead his train-robbing gang across Texas to recover a cash stash hidden after a botched railroad heist.
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Rai wakes up from 820-years long sleep and starts his new life as a student in a high school founded by his loyal servant, Frankenstein. But his peaceful days with other human students are soon interrupted by mysterious attackers known as the “Unions”.
In the town of Dillford, humans, vampires and zombies were all living in peace – until the alien apocalypse arrived. Now three teenagers-one human, one vampire, and one zombie-have to team up to figure out how to get rid of the visitors.
The film pits a humble small-town lawyer against a hard-headed big city prosecutor. Emotions flare as a jealous army lieutenant pleads innocent to murdering the rapist of his seductive, beautiful wife.
Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area. Ignoring the warnings, they set up camp, and start disappearing one by one. If that sounds too run-of-the-mill, there’s a genuinely shocking plot twist half-way through…
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is *supposed* to be on a diet of bland, civil suits. But the lure of the criminal courts is too much for him, especially when the case is so difficult: Vole’s only alibi witness is his wife, the calm and coldly calculating Christine Vole. Sir Wilfrid’s task becomes even more impossible when Christine agrees to be a witness not for the defence but for the prosecution.