The Kings Of Ktown is a stand up comedy special, filmed at The Laugh Factory in Hollywood, featuring: Danny Cho, Paul PK Kim, & Walter Hong. They drop their views on culture, race, family, dating, and living in Koreatown.
You May Also Like
Gary who has just married Samantha the woman of his dreams, discovers that her six-year-old son may be the Antichrist.
A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.
Glen, a former sperm donor and recently diagnosed sociopath, takes his daughter on a murder spree of his sperm-donated offspring in the dark comedy, ‘Spermicide.’
A drama about several lonely inhabitants of the same council estate, adapted by Benchetrit from his novel.
A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old.
After fleeing an arranged marriage, a feisty Indian woman finds herself stranded in Pakistan where the ex-governor’s son helps reunite her with her boyfriend.
3 college cheerleaders use their martial arts know-how to save their Sensei from mafia kidnappers, but must keep their extra curricular activities a secret in order to make it into an Ivy League school.
Cass, a high-powered attorney and single mother of two, is on the hunt for a new nanny after her precocious kids ran off the last one.
The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and eventual divorce from her first husband, Nick Arnstein.
A hardened CIA operative finds himself at the mercy of a precocious 9-year-old girl, having been sent undercover to surveil her family.
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about “amour.” Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year’s contest, and it becomes Israel’s entry.