Four college guys caught cheating on their final exam are forced by their unstable teacher to perform a series of outrageously funny and sexy tasks in order to graduate.
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Filmed at The Lincoln Theatre in Washington, D.C., “Trevor Noah: Lost in Translation” brings Noah’s unique world-view and global analysis of American culture to the forefront. In the special, Noah addresses major domestic and international events of the past year, sharing his outlook on the world today, including terrorism, racial tensions in America and what it was like being African and travelling into the United States during the EBOLA crisis.
“Made In Romania” is the story of a producer who is given the chance to realize his dream project; to film an adaptation of an obscure, beautifully written Victorian novel, “The Tides of Reason”. Disillusioned after years of making low budget genre films, the producer readily accepts the demands of his less than legitimate financiers. Namely, the production be filmed entirely in Romania to take advantage of a complicated and slightly suspicious tax deal. Shot in documentary style, this behind-the-scenes comedy deftly and inexorably exposes the painful reality of runaway film production. Way off the radar in deepest, darkest, rural Romania the hopelessly disconnected production veers swiftly off the tracks as bizarre personalities, cultural, economic and language issues quickly combine to send the production spiraling into hysteria. Written by Neil Monaghan
Tells the tale of three buddies in their 20’s whose love-lives are in shambles. They go to Aspen to pursue the booming trend of dating cougars: hot older women who prey on hot young guys.
This live taping of Nick Offerman’s hilarious one-man show at New York’s historic Town Hall theater features a collection of anecdotes, songs, and woodworking/oral sex techniques.
In 1970s London amidst the punk rock revolution, a young grifter named Estella is determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.
A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny’s former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak’s black-and-white Plus-X film stock.
Wiener-Dog tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading a certain kind of comfort and joy. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip picking up some depressed mariachis along the way. Wiener-Dog then encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more.
Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they’ve got jobs they don’t want and wives who don’t want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it’s all too late. Mix in a dollop of The Inbetweeners’ intellectual wit, add a pinch of bromancing from The World’s End, and then stir in a few ladles of The Hangover’s vomit and you’ve got Destination: Dewsbury, destined to be one of 2018’s funniest releases.
When Davis Green’s (Joseph Cross) alluring young cousin Alexis (Adelaide Clemens) appears on his doorstep one night, he discovers that a side of his family has been kept secret from him. Against his father’s wishes, Davis travels to rural, upstate New York to meet his other cousins. While wrestling with a taboo attraction to one another, he and Alexis attempt to reunite their families, uncovering the reasons behind a long-standing rift and the shocking secret that tore their fathers apart. Together, their discoveries force them to confront the temptation to keep their familial grudge going rather than end it.
A young man carrying a big basket that contains his deformed Siamese-twin brother seeks vengeance on the doctors who separated them against their will.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
