Trace the history of Hitler’s armored private train, a 15-car mobile headquarters boasting state-of-the-art communications and anti-aircraft cannons.
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Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.
Tells Lacey Schwartz’s story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — despite the open questions from those around her about how a white girl could have such dark skin. She believes her family’s explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
A feature-length documentary to show why Britain should vote to LEAVE the EU – and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
A diverse group of disabled people from across the U.S. take on leading roles in a magical rip-roaring costume drama Western, filmed on vintage Hollywood locations. This riveting film within a film immerses us in a dynamic, inclusive world of discipline and play, raising questions about why we so rarely see real disabled actors on the big screen?
Miss You Can Do It chronicles Abbey Curran, Miss Iowa USA 2008 and the first woman with a disability to compete at the Miss USA Pageant, and eight girls with various physical and intellectual disabilities as the girls participate in the Miss You Can Do It Pageant. Abbey founded the annual Miss You Can Do It Pageant in 2004 and girls and their families travel from all around the country to participate in this one night where their inner beauty and abilities reign.
For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.
KINGDOM OF SHADOWS follows three people grappling with the hard choices and destructive consequences of the U.S.-Mexico “drug war”. Filmmaker Bernardo Ruiz weaves together the seemingly disconnected stories of an activist nun in deeply scarred Monterrey, Mexico, a U.S. Federal agent on the border, and a former Texas smuggler to reveal the human side of an often-misunderstood conflict that has resulted in the “disappearance” of more than 23,000 people in Mexico—a growing human rights crisis that only recently has made international headlines.
