When Delhi Police comes across an unusual case revolving around hacking they seek help of an expert who thinks like them only to come across a lazy hacker Mickey Arora.
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Joshua Lazarus (Nick Stahl) is a telepath who has been raised in a NSA foster home. Lazarus helps the government by using his abilities. He is told by the agency that the telepathy is a side effect of Widmann’s Disease, and that he will become insane in time and eventually die from the illness. However, Lazarus meets a woman with similar powers (Taryn Manning) who does not have any sign of the disease, launching Lazarus to confront the lies he has been told
When a petty crime thrusts him into the company of a feisty eighty-one-year-old African-American woman named Rose Price, Grantham and Rose push the boundaries of their relationship, their lives, and what it means to love, as they take a road trip back to their roots.
Park Goo (Lee Kwang-Soo) mutates into a man-fish due to side effects from an experimental drug. He receives heavy publicity and becomes a star. A conspiracy by a pharmaceutical company leads Park Goo to being possibly expelled from the world.
Ella lives in a magical world in which each child, at the moment of their birth, is given a virtuous “gift” from a fairy godmother. Ella’s so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey to find her fairy godmother who she hopes will lift the curse. The path, however, isn’t easy — Ella must outwit a slew of unpleasant obstacles including ogres, giants, wicked stepsisters, elves and Prince Charmont’s evil uncle, who wants to take over the crown and rule the kingdom.
Arthur (Dudley Moore), that irrepressible drunk, tries to sober up — and get a job — in this sequel to the 1981 smash hit. Meanwhile, the father of the girl Arthur stood up at the altar in the first film is conniving to trick the hapless boozer into marrying his daughter so he can gain entrée to Arthur’s $750 million fortune.
Hirofumi and Shinji are colleagues at the same advertising agency. Hirofumi works in IT, and Shinji is on the company’s elite fast track. The two start off completely on the wrong feet, but as time passes they find themselves falling for each other.
After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple’s account over the day turns gradually into a peculiar form of violence.
Mike Birbiglia declares that a joke should never end with “I’m joking.” In his all-new comedy, Birbiglia tiptoes hilariously through the minefield that is modern-day joke-telling. Join Mike as he learns that the same jokes that elicit laughter have the power to produce tears, rage, and a whole lot of getting yelled at. Ultimately it’s a show that asks, “How far should we go for the laugh?”
Sua and Jib are like any other couple in this world except for one exception: for the past 5 years they have kept their relationship a secret since the bank where they are employed has a strict “No Fraternization” policy. It’s not a big deal until they decide to get married. The only problem? Which one of these two Type-A overachievers will put marriage before a career and resign? With neither willing to take the leap of faith they both turn incident into opportunity when an ATM glitch in Chonburi province cashes out over $130,000 baht. The terms are simple: whoever is able to recover the money first gets to keep their job. The couple will turn into no holds barred competitors. Who will literally “go big” in their career or “go home” in this romantic comedy about what two people won’t do for each other in the name of love? It’s the age old battle of the sexes but this time around how can victory be easily declared in a war…