Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.
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Moritaka Mashiro (Takeru Satoh) doesn’t want to follow in the path of his uncle who worked as a manga artist, but ultimately died because of exhaustion. Moritaka Mashiro figures he will graduate from school and work at an office. Things change though when falls in love with a girl at school. The girl, who hopes to become a voice actress, tells Moritaka they can marry, but only after they both achieve their dreams. Moritaka then teams up with fellow classmate Akito Takagi (Ryunosuke Kamiki) to publish their first manga.
Chanel Chiu is a deadly assassin who lives by a simple code – a promise must never be broken. She learned this from her husband of ten years. Dior Mok is a thief and equally deadly and she hates men who are disloyal, something she thinks her boyfriend is not. Alas, what they don’t know is that they are sharing the same man but neither of them are going to give him up without a fight!
In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control – mind and body.
Something’s killing people in the woods, and it isn’t bears. A team of reluctant warriors faces off against the most vicious animal on the planet….a giant Wererooster. Look out! Birds of a Feather…. kill together!
Ivanna returns to Caracas pretending to be a flamenco dancer…with three performances scheduled at a nightclub called ‘The Place’. There she is supposed to meet Vicente (Gabriel Agüero) and manage to get him emotionally involved with her in order to extract information about his father, the swindler that she has been hired to kill.
In the sequel to “A Royal Family Holiday”, the children Phillip “Flip” Royal (Romeo Miller), a good-looking spiritual guru; Austin Royal (Eric Myrick III, At Sunrise), a Washington, D.C. community activist; Kelsey Royal (Chelsea Tavares, Fright Night), a fashion designer’s gopher; and Pamela Royal (Taquilla Whitfield, Magic Mike XXL), a hair and nail salon owner; join forces to reunite their parents in time for Christmas. They try every trick in the book – including “playing nice” and setting aside old sibling rivalries – only to learn their mom and dad are enjoying “the single life.” Their plan also goes awry as getting their parents back together ends up taking a back seat to their own personal and professional drama.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
After learning of an urban legend in which a demented serial killer named SMILEY can be summoned through the Internet, mentally fragile Ashley must decide whether she is losing her mind or becoming Smiley’s next victim.
With her life at a crossroads, 25 year old Sophie Conway returns home to the small town she always wanted to forget. Once home, she is faced with the friends and lovers she left behind, a tangled relationship with her Mother, and Harry Pleasant, an Alzheimer’s Disease patient who, in an opposing way, shares Sophie’s struggle to remember.
