Based on André Carl van der Merwe’s book, Moffie (a derogatory Afrikaans term for a gay man) follows the story of Nicholas van der Swart: from a very young age, he realises he is different. Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Set during the South African border war against communism, this is a long overdue story about the emotional and physical suffering endured by countless young men.
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Cagney is a human dynamo as a drifter who helps save ailing Grace George from losing her newspaper. The pace is fast, and audiences of all ages will be pleased. The supporting cast, have all the small-town characterizations down pat — with Margaret Hamilton a standout. Cagney himself, had genuine affection for this film, and listed it among his top five movie-making experiences at a retrospective the year before he died.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in “the Bathtub,” a southern Delta community at the edge of the world. Wink’s tough love prepares her for the unraveling of the universe; for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack—temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother.
Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.
Christmas is fast approaching and years of long workdays employed at New York’s top corporate law firm are about to pay off now that Lucy Toomey will be made partner after the New Year. However, when Alice, her older sister with special needs, unexpectedly passes away, Lucy returns back to Nilson’s Bay, Wis., to attend the funeral and handle her estate. While Lucy dreads returning to her childhood home, she also feels real sorrow that she was too busy to take her sister’s last call. Once back in Nilson’s Bay, Lucy meets Peter, her old high school sweetheart and Alice’s former attorney, who informs her of the terms of Alice’s eccentric will that states in order for Lucy to inherit the family home, she must live there for 30 days through the holidays.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea’s direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
After Rini’s mother died, something is disturbing her family.
A ferocious, bullying music teacher teaches a dedicated student. This is the 18 min short film that the feature film was based on.
After his fiancée, Kate, dies in an accident on their wedding day, veterinarian Henry grows depressed. To help him move on, his sister has him visit psychic Ashley and gives her Kate’s diary. Ashley uses the journal’s details to convincingly deliver the fake message that Kate wants Henry to move on. However, Kate’s ghost is watching over Ashley and Henry. Furious when they fall for each other, she vows to sabotage their relationship.
Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline’s mother when she tries to end the girls’ intense and obsessive relationship.
The film is told through the naive eyes of a diplomat’s young son, Phillipe, who idolises his best friend, the diplomat’s butler Baines. Baines has constructed a heroic persona, full of exotic adventures, that fascinates the boy.