A quadriplegic man is given a trained monkey help him with every day activities, until the little monkey begins to develop feelings, and rage, against its new master and those who get too close to him.
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A popular high school band is scouted by a Tokyo-based record company. The band is involved in a car accident, however, shattering many hopes. The band receives a demo tape from a girl who lives on the navy base. They are reinvigorated.
Lured by the promise of an Australian holiday, backpackers Rutger, Katarina, and Paul visit the notorious Wolf Creek Crater. Their dream Outback adventure soon becomes a horrific reality when they encounter the site’s most infamous local, the last man any traveler to the region ever wants to meet; Mick Taylor (John Jarratt). As the backpackers flee, Mick pursues them on an epic white knuckled rampage across hostile wasteland. Only one will remain to be dragged back to his lair to witness the true magnitude of his monstrosity. And if the last man standing is to have any hope of surviving where no one else has survived before, he’ll have to use every ounce of cunning to outwit the man behind the monster and become every bit as ruthless as the monster inside the man.
It’s the day after Halloween. Jacopo and Duke wake up in the apartment of two girls: Lenka, the Czech Republic, and Elizabeth, English, both in Italy thanks to the Erasmus project. The dawn of that new day brings with it a big problem: Elizabeth died. But there’s more, because none of the three remember what happened. Neither James nor Duke nor Lenka, remember what happened that night.
Edgar Allan Poe’s macabre masterpiece of murder and madness, re-imagined as a modern day revenge thriller.
On Sam’s return from military service, Lily sets her heart on revitalising their relationship, but with Sam’s worsening PTSD isolating him from friends, family and the community, she too is drawn deeper into his post-war world.
Celebrated European actor Sophie Bernard is in Montreal shooting a movie, and she’s taking the opportunity to visit her son Thomas in the hope of bridging the rift that’s grown between them. But Thomas has his own agenda for their time together; he intends to finally get some answers as to the identity of his father. Meanwhile, at Ville-Marie Hospital, paramedic Pierre struggles with PTSD, and though he has support in Marie, a nurse who keeps the overflowing emergency room running, it’s uncertain whether he’ll remain able to cope with the high intensity of his work. Each of these four characters is dealing with emotional damage — and on one dark Montreal night, their lives will all intersect in a fateful occurrence at Ville-Marie.
Brought together at their childhood home over their dying mother, an estranged family is thrust into a deadly fight for their own survival.
A new music teacher in a 1955 West Texas home for wayward boys brings new vision and hope for many of the interned boys.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Dr. Syd has a good practice in the big city but a bad day when her terminal patient finally passes away. Her surgeon boyfriend, who has been sarcastically nick named “Mr. Personality” and “Settle For” by Syd’s best friend (Nurse Brenda), takes this opportunity to offer support and destroys it by telling Syd dying is part of life and she’d be a better doctor if she stayed more remote from her patients and, oh, by the way, “can I come over tonight”? He is surprised when she says “not tonight.” Brenda tells Syd to get away for a few days and suggests Syd change her mind and go back to her small hometown for her school reunion.
