Spain, 1950s. Montse’s agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew’s nest… perhaps he’ll never leave.
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Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
A walk to his apartment one night, becomes a panic run through those uncanny endless corridors.
Carrie Watts is living the twilight of her life trapped in an apartment in 1940’s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish — just once before she dies — is to revisit Bountiful, the small Texas town of her youth which she still refers to as “home.”
Between working full-time, raising a young son, and trying to maintain a relationship with her detached husband, James, Lauren Bell desperately needs some help in watching her newborn, Riley. Thinking she’s found the perfect solution, she hires her neighbor, Owen, to be their nanny. Owen is exactly what the Bells need and Lauren couldn’t be happier. It isn’t long, though, until Owen crosses the boundaries between hired help and man of the house.
Still reeling from a personal tragedy, Detective Paul Grunning is sent on a routine call to a local professor’s home. When things turn deadly, he must navigate a fractured reality to solve the mystery before it’s too late.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
Driving, lost and tormented in the night, primal fears of the dark and the unknown give way to fear that you have let the evil in, or that it is already there.
A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he’ll be killed… and the little red light from a laser rifle sight is proof that the caller isn’t kidding.
Eliza D’Amico thinks her marriage to Louis is going great, until she finds a mysterious love note to her husband. Concerned, she goes to her mother for advice. Eliza, her parents, her sister Jo and Jo’s boyfriend all pile into a station wagon, to go to the city to confront Louis with the letter. On the way, the five explore their relations with each other, and meet many interesting people.
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
