After being put on a supposedly uninhabited island as a form of behavioral rehabilitation, a high school senior finds that he’s not alone on the island, and that getting discovered could be deadly.
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It’s 1961. Two servicemen smuggle a box of military gear to USA. Leroy tries out a military camera and accidentally takes a picture of some military facilities. Army finds one of the pictures and thinks they’re communist spies.
Global climate change prompts a scientific corporation to genetically modify Alaskan polar bears with horrific and deadly results.
1945. A U.S. military cargo plane loses control and violently crashes behind enemy lines in the middle of the German black forest. Major Johnson sends a squad of his bravest soldiers on a rescue mission to retrieve the top-secret material the plane was carrying, led by Sergeants Brewer and Walsh. They soon discover hanged Nazi soldiers and other dead bodies bearing ancient, magical symbols. Suddenly their compasses fail, their perceptions twist and straying from the group leads to profound horrors as they are attacked by a powerful, supernatural force.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Two cannibalistic brothers kill various young women to make their flesh part of their new special dish at their rundown restaurant while seeking blood sacrifices to awaken a dormant Egyptian goddess.
Sharon Hinnendael stars as Charlotte, a timid and sheltered teen who has just left an all-girls Catholic school for a new life at a co-ed university. But an ancient evil has followed her here, tormenting her with disturbing nightmares and tempting her with forbidden desires. It is a hunger that can only be satiated by sensual pleasures of the flesh…and a thirst for blood. It’s a battle for her soul… and one she’s losing. But Charlotte is a fighter. The chaos and torment threatens to unleash her own inner beast, and anyone even close to her may find themselves embracing their own horrific fate.
Set in an alternate reality in which everyone is a cliché from a tacky soft-core porn film, a group of increasingly self-aware stock characters are up against a mysterious killer offing them one by one.
In an imaginary world where vehicles are the citizens, one underdog cabbie attempts to become king of the road in his hometown, Gasket City. He soon discovers that staying true to oneself is a greater pursuit than personal glory. When threatened by elitist attitudes and mobster trucks, can one unglamorous black and yellow ‘local zero’ rise to the challenge and become a ‘global hero’?
Guillermo del Toro presents Mama, a supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night.
