A group of friends decide to do a ritual to contact the spirit world, but things go bad and a spirit actually appears. One by one the group of friends die, one of them who is not affected by the spirit tries to uncover the truth behind the ghost. He is joined by his sister and a friend who is familiar with the occult. They soon find out that the ghost targets people from a certain village where 66 people died long ago. They desperately try to find a solution to appease the spirit.
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When a pack of werewolves attack a medieval village, Thorfinn, whose lover perished in the attack, joins knights Thomas, Osmund, Hamelin, and Hal Skullsplitter as they lead the fight back against the vicious lycanthropes.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
An American artist’s obsession with a disturbing urban legend leads her to an investigation of the story’s origins at the crumbling estate of a reclusive painter in Ireland.
Constantly mistreated by her cruel, alcoholic husband Chun-yu (Wang Jung), frail Chan Sau-ying (Tanny Tien Ni) awaits certain death from tuberculosis. New servant girl Yi-wah (Chen Szu-chia) takes pity on her mistress’ plight but, after suffering Chun-yu’s abuse once too often, the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man’s bloated corpse has risen from the bog to seek vengeance. Yi-wah dismisses her claims as the delusions brought about by guilt and her illness but it appears that the house is indeed being haunted by a corpse that will not be easily appeased.
A fugitive, an empty house, a rotting corpse. The journey begins. Cameron Matthews, a petty criminal and fugitive from the law, hides from police by taking shelter in an old dilapidated house in the middle of the city. There he discovers the rotting corpse of Bart Giordano, the owner of the house, whose death has gone unnoticed by friends and family for years. Though separated by death, the two men form an unlikely spiritual connection and help each other rebuild broken relationships in their personal lives.
In her final year at school, Anthropology student Lorraine decides to film her final project – the subject of exorcism within the Catholic Church. Recording interviews with priests from the local diocese, she stumbles upon Fr. Byrne, an older priest who is currently helping a young mother whose daughter is apparently possessed by a demonic force. The curiosity of Lorraine, along with her camera operator, Cathal, leads them down a dark path of discovering the terrifying truth, and things go from strange to worse as all involved become entangled into a frightful journey to save a little girl’s life.
When a doctor looking for her missing child awakens to find herself in an abandoned school, she must survive the supernatural terror and face her own demons if she is to find the truth about where her son is.
Recovering from the trauma of being kidnapped last Halloween by the Blue Skeleton – a group who take “extreme haunt” to another level – five friends decide they must face their fears in order to move on. Heading back out on the road to visit more haunted house attractions, signs of the Blue Skeleton start appearing again and a new terror begins.
A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare- no matter how twisted or odd that way must be. A memorably bizarre screen version of Lewis Carroll’s novel ‘Alice’s Adventures in Wonderland’.
Reverend David Poe and his psychiatrist wife trade hectic New York life for an idyllic rural farmhouse; the perfect place for 10 year old twins Jack & Emily to run, play and imagine. Documenting this lifestyle change, David decides to film every holiday and special family event. To the Poe’s horror their home movies reveal an increasing malice and evil within their children and by Valentines Day, the children’s sadism has turned to a blood lust for human prey.