At one of his many visits to his doctor, hypochondriac George Kimball mistakes a dying man’s diagnosis for his own and believes he only has about two more weeks to live. Wanting to take care of his wife Judy, he doesn’t tell her and tries to find her a new husband. When he finally does tell her, she quickly finds out he’s not dying at all (while he doesn’t) and she believes it’s just a lame excuse to hide an affair, so she decides to leave him.
You May Also Like
Spiraling into a mid-life crisis and feeling disconnected from his family, Ben Marcus, a reality-TV editor, thinks he can only be happy by fulfilling his dream of becoming a professional comedian. Ben posts his stand-up routines to YouTube, and the videos fall flat. Then his tweener son posts Ben miserably failing on a home improvement project, and much to his teenage daughter’s dismay, it goes viral, launching Ben’s social-media career as Selfie Dad. Although he quickly becomes an award-winning phenom, no amount of success brings Ben satisfaction. Through his friendship with a young coworker, Mickey, Ben finds the secret to a happy family . . . with his Bible in one hand, and his phone in the other.
Simran loves love stories, with her ideal job and perfect boyfriend, she lives a blissful and dreamy life. However, things are rudely interrupted by Jay’s cynicism on sentimentality.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
When her boyfriend Ben suddenly dies in an accident, mother-to-be Charlotte collapses upon receiving the news. She wakes up in Ben’s family home, a crumbling old manor house in the middle of nowhere with Ben’s overbearing mother and his controlling stepbrother who are determined to care for her. Grief-stricken and increasingly haunted by visions possibly brought on by the pregnancy, Charlotte begins to doubt the family’s intentions and her suspicions grow that they may be trying to control her and her unborn baby.
La leggenda del santo bevitore (literally “The legend of the holy drinker”) is a 1988 Italian film directed by Ermanno Olmi. It tells the story of a drunken homeless man (played by Rutger Hauer) in Paris who is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to; the film depicts the man’s constant frustrations as he attempts to do so. The film won the Golden Lion at the Venice Film Festival. It is based on the 1939 novella by the Austrian novelist, Joseph Roth.
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
A comedy/musical utilizing both new songs and parodies from the original (Gilbert and Sullivan’s Pirates of Penzance), as well as references to popular films of the time, including Star Wars and Raiders of the Lost Ark. In your typical boy meets girl, boy loses girl, boy fights girl with swords plot, the story revolves around Mabel …
A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over