The world is on the verge of a devastating war with monsters who are coming to retrieve the Scaling Stone. Yin Yang Master Qingming’s life is in danger and he travels to different worlds to prepare for the upcoming assaults. On his journey, Qingming finds that the key to all the calamities is embracing his hybrid identity of both human and monster.

A trio of awkward teens intend to win a horror festival by making their own movie, but wind up getting their actress possessed in the process.

To inherit her father’s company, socialite Ellen must first visit his small hometown, where she learns the value of hard work and helping others.

At Sunjong University, a few students are serious, including Eun-hyo, who works hard at aerobics in hopes of doing well in a national competition. Most students goof off: drinking, partying, and focusing on sex. Eun-shik, a law student who’s been in the military, is older but socially inept. He likes Eun-hyo; even though his earnest and simple side appeals to her, his juvenile excesses make him irrelevant when Sung-ok, a good-looking rich kid, charms Eun-hyo. They begin an affair, leaving Eun-shik on the sidelines. The national competition approaches and complications arise.

A retelling of L.M. Montgomery’s story of Anne Shirley, an orphan who is accidentally sent to a couple looking to adopt a boy instead

Movie is narrated through three different tracks. The romance between two students forms the first track, story of a villain forms the second track and third track played by two friends. Confluence of these three tracks completes the plot.

The enigmatic Isabel decides to rent her belly to give birth to the baby of Sara and Joaquin, a possessive couple obsessed with the idea of starting a family.

A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.

After atmospheric catastrophes send Los Angeles into chaos, three groups of survivors who escaped the city must put aside their differences to face a series of apocalyptic events. As they learn to work together they are faced with an even greater nightmare, giant gravity swells that contain thousands of giant killer bees, intent on ushering in the end of the world.

In the near-future, Charlie Kenton is a washed-up fighter who retired from the ring when robots took over the sport. After Charlie’s robot is trashed, he reluctantly teams up with his estranged son Max to rebuild and train an unlikely contender.

Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.