Framed and on the run, a former FBI agent must save his family from a blazing fire in the world’s tallest building.
You May Also Like
The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.
To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase “Do I stand before the king?” It is the elder brother that seems doomed to lose himself in his brother’s insanity.
Adapting a Dutch bestseller inspired by a shocking real-life crime, Menno Meyjes (screenwriter of The Color Purple and Lionheart) directs this excoriating assessment of Europe’s contemporary social ills.
On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.
A poet falls in love with an art student, who gravitates to his bohemian lifestyle — and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
A black, grieving ex-pastor saves the life of the white man that killed his wife.
Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, “The Days to Come” asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
2AM, closing time: A cocky bar manager with a shady past and a young handsome bartender discover a beautiful woman bloodied and unconscious in the bathroom of a late night lounge. When she awakens, Tony, Matt and the mysterious Rose are plunged into a stirring evening of dangerous role playing in an ever-escalating game of cat and mouse that forces them to face the dark shadows of themselves. As we begin to piece together the elaborate puzzle, nothing is what it seems. However, one thing is for certain: this Rose is full of thorns.
