Vet leads his team of disbanded mercenaries into the treacherous Gallows Wood on one last mission to capture the elusive Professor Black. What was meant to be a simple extraction mission soon becomes a terrifying journey into madness.
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Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
A film based on the semi-autobiographical novel of the same name by American writer Jonathan Safran Foer, in which a young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II, in a Ukrainian village which was ultimately razed by the Nazis.
An ex-cop turned con threatens to jump to his death from a Manhattan hotel rooftop. The NYPD dispatch a female police psychologist to talk him down. However, unbeknownst to the police on the scene, the suicide attempt is a cover for the biggest diamond heist ever pulled.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father’s care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital’s legal team and do what’s best for the patient?
Told she would have less than a few months to live without a liver transplant, Heather Krueger’s time was running out when a kind stranger, Chris Dempsey, heard of her plight and discovered he was a perfect match. The two met and before long a friendship developed into romance. The movie follows Heather and Chris’ journey over three Christmases as his selfless gesture leads to a Christmas miracle for everyone involved. Based on a true story.
The lone survivor of the brutal Oakhurst Sanatorium Murders, suffers from severe post-traumatic dissociative disorder in a state run mental health facility. Budget-cuts lead to the transfer of the criminally-insane killer she escaped right to her hospital, while the true supernatural force behind the killings wants to finish what begun the night of the murders.
Chanel Chiu is a deadly assassin who lives by a simple code – a promise must never be broken. She learned this from her husband of ten years. Dior Mok is a thief and equally deadly and she hates men who are disloyal, something she thinks her boyfriend is not. Alas, what they don’t know is that they are sharing the same man but neither of them are going to give him up without a fight!
Inspired by author Eric Schlosser’s New York Times best-seller of the same name, director Richard Linklater’s ensemble drama examines the health issues and social consequences of America’s love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman.
Billy is an innocent, naive seaman in the British Navy in 1797. When the ship’s sadistic master-at-arms is murdered, Billy is accused and tried.
The title is Adolf Hitler’s question to his chief of staff Alfred Jodl on the eve of the liberation of Paris (August 25): the military governor of Paris, General Dietrich von Choltitz, had been ordered to destroy Paris rather than let it fall undamaged into the hands of the Allies, but von Choltitz disobeyed.The film follows historical events as U.S. General Dwight D. Eisenhower, head of the Allied invasion, refuses to divert troops to liberate Paris. His hand is forced by the French military leader, Philippe Leclerc, and by a Resistance uprising in the city. Von Choltitz keeps details of the uprising from the German high command in an effort to save the city being destroyed in retaliation. The film follows his turmoil as a soldier and as the man who doesn’t wish to be seen by history as the cause of a beautiful city’s destruction.
