A young street magician is left to take care of his little sister after his mother’s passing and turns to drug dealing in the Los Angeles party scene to keep a roof over their heads. When he gets into trouble with his supplier, his sister is kidnapped and he is forced to rely on both his sleight of hand and brilliant mind to save her.
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This movie is about soccer hooligans, the most aggressive and violent soccer aficionados. They are an exclusive group, the elite of all soccer fans. Whoever they may be in their everyday lives—college students, bankers, musicians, or car mechanics—they are a “firm.” It’s easy to get into a firm, but once you’re in, it’s for life. There’s no going back. The movie is based on actual events
WALL·E is the last robot left on an Earth that has been overrun with garbage and all humans have fled to outer space. For 700 years he has continued to try and clean up the mess, but has developed some rather interesting human-like qualities. When a ship arrives with a sleek new type of robot, WALL·E thinks he’s finally found a friend and stows away on the ship when it leaves.
Djata is a care-free 12-year-old growing up in a brutal dictatorship shut off from the outside world. When the government imprisons his father, Peter, and Djata and his mother Hannah are labeled traitors, the boy will not rest until he sees his father again.
Back in his high school days, Joon-Seok (Joo Sang-Wook) was bullied by Chang-Sik (Yang Dong-Geun). Because of this, Joon-Seok’s high school days were like a nightmare. Now, Joon-Seok finds it difficult to live a normal life due to the bullying. Meanwhile, Chang-Sik, who has forgotten what he did to Jeon-Seok, lives a relatively happy life. He is about to marry Ji-Hee (Lee Tae-Im). Joon-Seok will pay him back for all the misery.
In this third installment of the adrenaline-fueled action franchise, super-assassin John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
The relationship between two neighboring farm families are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth’s surface is released. “Unearth” is about the horrifying repercussions sown by short-sighted decisions, and what our children reap from our actions.
Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
A horror comedy spoofing conspiracy theory moves, girl victim films, and Alien Grey abduction movies. Melissa rescues a young woman from a mental hospital where no-one believes she is a victim of abduction by aliens. She and a colleague try to prevent the aliens from taking her but a government agent seems to be hot on her trail, and the Alien Greys and their powerful leader, The Hive Queen have no intention of being stopped. An outrageous mix of graphic horror and dark twisted humor.
Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.