Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks – including a stripper named Nikki and her boyfriend, the local meth producer, The Cook – but all he really wants to do is hook up with his old girlfriend, Amy.
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When twenty-four-year-old Jae is released from prison for killing her mother, she returns to her childhood home in small-town Ridgecrest. The desire to go anywhere but there prompts her to agree to join her brother on a road trip out to Death Valley – which results in getting them hopelessly lost in the most stunning, but unforgiving topographical terrain on the planet.
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Set in a dirt-poor neighborhood in the fictional city of San Lovisa, Texas, EvenHand tells the story of two very different cops, working together for the first time. Rob Francis, recently divorced, finds the adjustment from his previous assignment in “Sleepytown” difficult. With his new partner, the volatile Ted Morning, he spends his days breaking up domestic disputes and attempting to make sense of a parade of lowlifes, firebugs and junkies. Morning is the original Texas cowboy, all muscle and bravado: arrest ’em first, ask questions later. The characters and events in EvenHand subtly intertwine until Francis and Morning must both face the consequences of their very different approaches to the job. Filmed on location in San Antonio, Texas, EvenHand is a police story, but it’s not about car chases or shoot-outs. It’s about two cops struggling to survive in a world where, without warning, numbing routine can give way to primal fear.
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Anne, a brilliant and dedicated advocacy lawyer specialising in society’s most vulnerable, children and young adults, lives what appears to be the picture-perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events destined to destroy her world.