STEPPING OUT Sima, while stunningly beautiful, has failed to fulfill her dreams as a professional dancer. She is on the wrong side of thirty, being aged out, and is forced to take a job as a teacher at a conservative local high school. Much to her surprise, it sparks the choreographer in her — a talent she has been nurturing in private not only to battle her self-doubt and depression but to create a new and unique fusion of belly and ballroom styles.
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In Paris, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic surgery, and his new face and voice are completely unknown. The only means to reach Zimmer is through his beloved mistress Chiara, who is under surveillance of the police and the mobsters. While traveling by train to the country nearby Nice, the common man François Taillandier, who has the same body shape of Zimmer, is select by Chiara as if he were Zimmer and used as a bait to lure those that are pursuing her. When Taillandier is chased by the professional Russian killers, he runs the French police when the real situation begins to be disclosed to him. Written by Claudio Carvalho, Rio de Janeiro, Brazil
When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.
On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they’ll ever be able to say goodbye.
A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She’ll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He’s reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day “contract”, these two total strangers will have had a profound impact on each other.
When Manny Singer’s wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina’s friendship delights Molly and enrages the other townspeople.
A 19 year old Brooklyn boy who is torn between two worlds when his photography portfolio wins him a partial scholarship to NYU. He must figure out how to balance his Italian neighborhood roots with the expansive, sophisticated world on the other side of the East River. Based on Tim McLoughlin’s novel “Heart of the Old Country”.
Kilian is a young man who has never left the mountains of Huesca which saw him grow up. In 1953 he will travel to the exotic island of Fernando Poo to work in a cacao field alongside his father and his brother. During 20 years in this island he will undertake a journey towards maturity and knowledge, but will also have to deal with pain and loss.
“To Have and to Hold” centers on Alice who still can’t believe her high school crush, the dashing, wealthy and successful Joe Chambers, would choose to marry her and willingly allows him to mold her into his ideal socialite wife. Despite Alice’s best efforts to be the woman of Joe’s dreams, he can’t help but be unfaithful to her. When Joe’s indiscretions impact his career, Alice’s life is further turned upside down. Alice unexpectedly finds herself falling for her best friend’s boyfriend and begins to wonder if her fairy tale ending could exist after all.
