Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry — this time from behind the register — as he opens his own fast food restaurant.
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An analysis of the effect of economic sanctions on Iraq.
Johnny Knoxville and his crazy friends appear on the big screen for the very first time in Jackass: The Movie. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on. While Johnny Knoxvile and his pals put their life at risk, they are entertaining people at the same time. Get ready for Jackass: The Movie!!
Michael Moore’s provocative documentary explores the two most important questions of the Trump Era: How the fuck did we get here, and how the fuck do we get out?
As one of the big retirement destinations for middle class Americans, Phoenix Arizona has also become a capital of dementia care. Louis visits the city in order to spend time in state-of-the-art care home Beatitudes and with home-based carers, whose love is tested by a condition that steadily erodes the personality and character of their partners.
Anthropologist Marilyn Schlitz explores the mysteries of death.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
In the gig poster community, artists such as Daniel Danger and Jay Ryan prove that creating this artwork is a way of life, more than just a career. These artists are at the forefront of an expansion of the gig poster genre. MONDO’s reinvigoration of “the film poster as an art form,” and Gallery 1988’s theme based exhibits are only two ways in which this artwork is reaching a greater public. In a community with strong roots, dating back to the 1960s, this expansion is controversial- refreshing to some, sacrilegious to others.
Ross Kemp examines the April 2015 heist when a group of criminals carried out what has been described as the biggest burglary in British history. With access to the secret surveillance footage that put the thieves behind bars.
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A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
An analysis of director Sidney Lumet’s work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You’re Dead) in his own words, based on a five-day interview recorded shortly before his death.
