An exploration of the making of b-movie sci-fi cult classic “The Creeping Terror” and its con-man director Art “A.J.” Nelson/Vic Savage.
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A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip’s wording each week, unknown to writer and printer. The first of the Ealing comedies.
The story is set in 1963 in Yokohama. Kokuriko Manor sits on a hill overlooking the harbour. A 16 year-old girl, Umi, lives in that house. Every morning she raises a signal flag facing the sea. The flag means “I pray for safe voyages”. A 17 year-old boy, Shun, always sees this flag from the sea as he rides a tugboat to school. Gradually the pair are drawn to each other but they are faced with a sudden trial. Even so, they keep going without running from facing the hardships of reality.
A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …
Badly planned trek across Dartmoor landscape brings four friends face to face with the Dartmoor Beast. Lost and afraid the terrified party has to fight for their own lives in desperate attempt to survive the night.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
When best friends, Jack and Scottie, get a once in a lifetime shot at hidden loot, they take off on a cross-country adventure turned crime spree. With a whiny accidental hostage in tow, and a deranged bounty huntress and Johnny Law hot on their trail, it’s going to be a race to the bullet-riddled finish.
In The Farmer’s Llamas the wily sheep bluffs his dim-witted farmer master into bidding for three llamas at a county fair. Once they show up at the farm, however, they cause such chaotic destructive mayhem that Shaun has to carefully remove them – high speed chases, careful rooftop scrambles and dangerous falls ensue.
Steve Byrne has established himself as one of the premier stand-up comedians of his generation. In his second one hour special, Steve asks the universal question “Who are you?” The result is a poignant, inventive, and immensely funny look at how we identify ourselves in America.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier’s efforts to track down a German spy.